[av_section color=’main_color’ custom_bg=” src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/4285839237_de8239582d_o-1210×423.jpg’ attachment=’819′ attachment_size=’entry_without_sidebar’ attach=’parallax’ position=’bottom center’ repeat=’stretch’ video=” video_ratio=’16:9′ min_height=” min_height_px=’600′ padding=’default’ shadow=’no-shadow’ bottom_border=’no-border-styling’ id=”] [av_heading heading=’Mixagem e Masterização‘ tag=’h1′ style=’blockquote modern-quote’ size=’60’ subheading_active=’subheading_below’ subheading_size=’26’ padding=’0′ color=’custom-color-heading’ custom_font=’#ffffff’] Curso de Áudio
[/av_heading] [/av_section] [av_section color=’main_color’ custom_bg=” src=” attachment=” attachment_size=” attach=’scroll’ position=’bottom right’ repeat=’no-repeat’ video=” video_ratio=’16:9′ min_height=” min_height_px=’500px’ padding=’default’ shadow=’no-shadow’ bottom_border=’no-border-styling’ id=”] [av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/ProTools11_Main_UI-495×400.jpg’ attachment=’795′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Objetivo’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] O curso de Mixagem e Masterização possibilita o aluno a compreensão dos softwares e conceitos técnicos de áudio. Gravar, editar, utilizar ferramentas musicais, criar vinhetas. Todo o requisito necessário para uma produção musical em nível de mercado.
[/av_icon_box] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Conteúdo’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Processos de produção
Como preparar e ajustar sua sala de mixagem
Entendendo frequências e harmônicos
Fones e monitores de referência
Conceitos básicos de Acústica
[/av_icon_box] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’A quem se destina’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] O curso destina-se a profissionais ou iniciantes na área de Radio e TV, Editores de áudio e vídeo, músicos, técnicos, produtores musicais e todos que tiverem curiosidade ou interesse no seguimento do áudio.
[/av_icon_box] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Pré- Requisito’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Conhecimentos do sistema operacional Windows ou Mac OS X.
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/maxresdefault-495×400.jpg’ attachment=’796′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Equalização’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Sweep
Filtros Shelving
EQ Paramétrico
EQ Linear
EQ no Pro Tools
EQ no Logic Pro
EQ no Cubase
Equalização no violão
Equalização na bateria
Equalização no baixo
Equalização na guitarra
Equalização na voz
Equalização no piano
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/DSC_0029-495×400.jpg’ attachment=’797′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Compressor’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Conceito de compressor
Hardware x Plugin
Trashhold
Ratio
Attack
Release
Knee
Compressão na voz
Compressão no baixo
Motivos para comprimir
Exercícios de compressão
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2014/07/Captura-de-Tela-2015-07-29-às-02.16.55-495×400.png’ attachment=’670′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’MIDI’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Fundamentos midi
Midi e Instrument track
Quantize
Input Quantize
Transpose
Step Input
Velocity
Duration
Uso Avançado dos controles CC
Controladores
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/screenshot_pro-g_full-495×400.jpg’ attachment=’799′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Dinâmicas’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Gate
Compressor multibanda
Saturadores
Ferramentas de trat
amento e efeitos:

Expanders
Noise gates
Noise reductions (redutores de ruído)
Equalizadores Desser
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/image_92168-495×400.png’ attachment=’809′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Fluxo de sinal e mandada auxiliar’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Fluxo de sinal e mandada de efeito no software
Mandada de efeito no Pro Tools
Mandada de efeito no Logic Pro
Mandada de efeito no Cubase
Mandada de efeito no Sonar
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/Screen-Shot-2013-12-31-at-9.59.04-AM-495×400.png’ attachment=’801′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Efeitos’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Efeitos reverberadores:
Reverb
Delay

Efeitos moduladores:
Lfo, Wah Wah, Pitch, Chorus, Phaser, Flanger
[/av_icon_box] [/av_one_half][av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/pro-tools-music-recording-sound-editing-audio-processing-software-screen-01-495×350.jpg’ attachment=’806′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half][av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Técnicas avançadas de mixagem’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Técnicas de equalização e compressão de voz
Técnicas avançadas de reverb e delay em voz
Técnicas avançadas Side Chain
Drum replace
Saturadores
Compressão paralela
Automação
[/av_icon_box] [/av_one_half][/av_section][av_section color=’footer_color’ custom_bg=” src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/Gain-Staging-Pro-Tools-1210×423.jpg’ attachment=’808′ attachment_size=’entry_without_sidebar’ attach=’parallax’ position=’bottom center’ repeat=’stretch’ video=” video_ratio=’16:9′ min_height=” min_height_px=’600′ padding=’default’ shadow=’no-shadow’ bottom_border=’no-border-styling’ id=”] [av_heading heading=’Masterização‘ tag=’h1′ style=’blockquote modern-quote’ size=’60’ subheading_active=’subheading_below’ subheading_size=’18’ padding=’0′ color=’custom-color-heading’ custom_font=’#ffffff’][/av_heading] [/av_section] [av_one_half first] [av_image src=’http://www.abreuleandro.com/wp-content/uploads/2015/09/83e0f2224bc4fe6c8a690b3a98beaa93-495×400.jpg’ attachment=’805′ attachment_size=’portfolio’ align=’center’ animation=’pop-up’ link=” target=” styling=” caption=” font_size=” appearance=”][/av_image] [/av_one_half] [av_one_half] [av_icon_box position=’left’ boxed=” icon=’ue8c6′ font=’entypo-fontello’ title=’Introdução e conceito’ link=” linktarget=” linkelement=” font_color=” custom_title=” custom_content=” color=” custom_bg=” custom_font=” custom_border=”] Processo de masterizacão
Loudness War
M/S processing
Equalização Linear
Compressor Multi-banda
Limiter
Dither
Volume de mercado: EBU 128, ITU.1770
Finalização
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